Chameleon of Arabian Nights - a mis-dances-three-act-play

Artistic Direction, Choreography Helene Weinzierl
In collaboration with Luan de Lima, Manuela Calleja und Hugo LeBrigand / Mov.research: Patrik Kelemen
dramaturgy Peter Huber
Light design Peter Thalhamer
Music, composition Oliver Stotz
Schauspielcoach Marion Hackl


Take: one choreographer, three performers and an empty room.
The only premise: to break your own expectations, to find a new approach. An experiment.

The space is there, a blank sheet of paper.
The three performers are like pens or brushes,
or a stamp, or maybe something completely different?

Are there more tools or do they define the content of the piece with their presence and there for shape the expectation of the choreographer?
Or do they even overlap, meet, run apart
or delete them completely.

The trio falsely dances on purpose and tries to place itself outside of the typical cieLaroque/ helene weinzierl style.
Or will we just see the same thing again?

This demands the question whether it will be a picture that emerges? Will it be abstract  only in your head? Will the topics be familiar? How is the content defined?
Will it be a complete confusion, or will there at least be clear points to connect to?
Do you see the same piece like your neighbor? Or something completely different?

The trio is no standard recipe and its taste is determined by yourself.